featuring Travis Tritt with special guests The Outlaws and Blackberry Smoke
Presented by KISS Country
Produced by Morgan Renee Live
Ticket Prices:
$40.00 - Reserved Seating
$30.00 - General Admission
"Dude, I knew you could sing, but I had no idea you could do that blue-eyed soul thing!"
Producer Randy Jackson paid that compliment to Travis Tritt, after recording a duet between Tritt and soul man Sam Moore for Moore's 2006 album, Overnight Sensational. Then he made a suggestion. "If you ever want to do an album that puts a bigger spotlight on that," Jackson said, "I'd love to work on it with you."
The end result of that conversation is The Storm, Tritt's widely-praised 2007 release. Tritt and Jackson teamed up to create a powerhouse collection of songs that emphasize the irresistible soul side of Tritt's singing. It's a card that has always been in Tritt's stylistic deck, but one that has often been overlooked by listeners unfamiliar with the deep musical links between country and R&B, particularly in the South.
And in Jackson, Tritt found the ideal collaborator. Before he gained acclaim for his role as a judge on "American Idol," Jackson had played bass with artists ranging from Aretha Franklin to Journey. Demonstrating that type of range is precisely the aim of The Storm.
"Growing up just outside Atlanta, to the north of us you've got the Grand Ol' Opry in Nashville," Tritt explains. "A little bit South you've got Macon, Georgia - home of the Allman Brothers, the Marshall Tucker Band and Capricorn Records. And off to west you've got Delta blues. Sprinkle Southern gospel over the top of that, and you're talking about where I came from. I loved all of that music."
To make that point, "You Never Take Me Dancing," the first single from The Storm, opens with Tritt's bluesy moans and a seductive acoustic slide guitar, before settling into the funkiest groove this side of Stevie Wonder's "Superstition." The song was written by Richard Marx, who also collaborated with Tritt on "Doesn't the Good Outweigh the Bad," a rollicking relationship song that grew out of Tritt and his wife's experience building a new house. "You know how they say that if your marriage can survive building a house it can survive anything?" Tritt asks, laughing. "That is absolutely a fact."
The Outlaws were born to the blue-collar port city of Tampa, Florida in the early 1970’s. The band was made up of Hughie Thomasson, Henry Paul, Monte Yoho, and Frank O’Keefe. At Hughie’s urging, Billy Jones moved back to Tampa from Boulder, Colorado in1972 to complete the original five-piece lineup.
Joining the likes of Tom Petty and other regional acts at the time, The Outlaws quickly became a favorite of the Tampa college crowd. With the help of newly recruited manager Charlie Brusco, the band set its sights on taking the show on the road. Earning a reputation as a great live band, they lit up the clubs from Macon to Nashville and honky-tonks throughout the southeast.
Following in the footsteps of such great bands as The Allman Brothers and The Eagles, The Outlaws developed their own high-powered, guitar-driven country-rock, complete with exciting self-penned music and stellar three-part harmony.
At Ronnie Van Zant’s urging, Lynyrd Skynyrd manager Alan Walden became management partners with Charlie Brusco, and the two men brought label executives to the up-and-coming band’s doorstep. Clive Davis signed the band to his newly formed Arista label in the spring of 1975. The Outlaws’ debut album rode the momentum of AOR classic “Green Grass and High Tides” to #13 on Billboard’s Hot 100. With substantial success in the live concert arena and on the strength of repeated chart-topping records, The Outlaws established themselves as premiere players in the phenomenon that came to be known as Southern Rock.
After decades of triumph, The Outlaws have endured repeated tragedy in the loss of original members Frank O’Keefe, Billy Jones, and most recently signature singer/songwriter/guitarist Hughie Thomasson.
Today, the Outlaws are at the threshold of a new era. Along with original singer/songwriter/guitarist Henry Paul and original drummer/songwriter Monte Yoho, the Outlaws feature Chris Anderson, Billy Crain, Randy Threet, and Jon Coleman.
Chris Anderson, lead guitarist and longtime Outlaws bandmate, brings his considerable talent as a player, singer, and songwriter to the band. His solo records for Sony in the early 90s and his collaboration with Dickey Betts, Dan Toler, Warren Haynes and The Outlaws over the years have helped establish him as one of Southern Rock’s most notable players.
Billy Crain has become a household name in the southern rock family of exceptional lead guitar players. He has enjoyed significant success as a songwriter with his songs cut by such artists as the Dixie Chicks, Poco and Martina McBride. With the Henry Paul Band in the late 1970s, he developed a large following with his legendary musicianship, and with Chris Anderson, forms one of the all-time great lead guitar teams in rock and roll.
Bassist/Singer/Songwriter Randy Threet became a member of the Outlaws in 2005 through his previous work with Henry in the Country group Blackhawk. He has also played with such artists as Pam Tillis, Larry Boone, Trisha Yearwood, Buddy Jewel, and toured overseas in support of our troops. In 2004 he worked on the USA Network show "Nashville Star". Randy's high energy, great harmonies and solid bass work make him a popular part of "The Outlaws".
The most recent addition to the band is keyboard player. Singer/songwriter Jon Coleman. Coleman found his way to The Outlaws through stints with Lee Roy Parnell and the super-group collaboration of Brothers of the Southland, which featured Jimmy Hall of Wet Willie, Dan Toler of The Allman Brothers, Steve Gorman of the Black Crowes, and Henry Paul.
Through sheer determination and commitment to the legacy of this great band, the most recent line-up of The Outlaws sets its sights on its musical future, while remaining true to the unique character of The Outlaws past.
